SIRI

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Meant to be a speculative laboratory, SIRI explores several binomials - material and immaterial; stability and speed; physical and psychological; challenge and fear; human and technological - in a choreographic approach between what is real and what haunts us.

The stage appears as an archaeological field that guards different techniques, usages and ways of expressing the bodies, objects and movements produced amongst them. In it, the choreography presents itself as an investigation about memory, at the same time archaeological and alive - of the human body and its representations through technology. SIRI extends the collaboration between choreographer Marco da Silva Ferreira and film director Jorge Jácome, after working together on the performance ÍRIS, expressed as a look on temporality, from the image, visual construction and speech about memory.