Um Revolucionário Italiano

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Luigi Nono imprinted his nonconformity into the music he wrote, and his final decade (1980) shows the maturity of the inclination he always had for music as a rupture. Guai ai gelidi exibi is a piece written in that period and, although it results from fascinating experiences in terms of composition and incorporates the words of great authors, it can be simply appreciated for its sound. A Carlo Scarpa, architetto, ai suoi infiniti possibili was written a year later and allows us to feel the infinity in ten minutes. At the end of the concert, we return to the beginning of the journey of this revolutionary Italian composer, who sought inspiration from Federico García Lorca for his first musical theatre piece, a surreal ballet based on the famous play Amor de Don Perlimplín con Belisa en su jardín.