O que já não é e o que nunca foi

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This work is organised from research rituals around time, its occupation, suspension and condensation. Gathered in an accumulation logic, on stage are reused objects, low-fi technology, amplification devices and recordings collected randomly during the process. From this environment, the performers make a mosaic of actions, configuring physical and mental spaces that summon the effects of slowness, speed, repetition, continuity, discontinuity, measurement or even forgetting time. The choreographic and sound fabric produced is also interwoven by fragments of shared memories, subjected to transformation and wear and tear processes.